Lovers Rock; The Women's Enclave in the Land of Reggae

 

 

Compared to the male singers, not a lot of women inhabit the land of Reggae and its various “enclaves” ( enclaves here meaning sub-genres). During Reggae’s golden era, women were not dominant acts within Reggae’s main scene. For many who love Reggae music and its sub-genres, dominant male figures such as Bob Marley, Jimmy Cliff, Peter Tosh, Alton Ellis etc were the names associated with the varying evolutionary stages of Jamaican music from Ska, to Rocksteady, to Reggae.

Reggae, however, has managed to give birth to sub genres that have facilitated the growth of not only Jamaican music, but also (by a larger extent) Caribbean music. Sub genres, Dub & Lovers Rock, have played immense roles in their musical arena, facilitating sonic experiments in music (dub) as well as creating a stage dominated by the female voice & vocals (lovers rock).
 

During the golden years of Reggae (between 1969 to the late 1980s), Lovers Rock emerged as a sub-genre with its own style, feeling, community and audience.
Lovers Rock originated in the 1970’s, being born out of a well established and fervid London Reggae scene.

The musical content of Lovers Rock centered on the romantic, with stories being brought to life through lyrics that detailed experiences about love, heartbreak, friendship, infidelity, happiness and all the ups & downs that accompany relationships between men and women.

In Britain, the female voice became the dominant sound of the Lovers Rock genre. Many female artistes were able to score hit songs within the subgenre, a severe contrast to the general Reggae scene throughout the 1970s & 80s worldwide. Not only was the subgenre dominated by women artists in Britain, but also managed to attract a large cohort of listeners who were primarily women.
 

As a main feature of London-based sound systems, Lover’s Rock grew to become a favourite among the females, having a strong core audience of women due to the ease with which the leading female artistes of the time could communicate their stories. Major acts such as Caroll Thompson, Janet Kay, Louisa Mark and many others were able to use relaxed, mellow rhythms highly drenched with emotionally stricken vocals & lyrics to connect with their female centered
audience who could relate directly to the music and its content.

The influence of Lovers Rock is extensive. Its relaxed rhythms, cool mellow musical style, content and overall composition, have been borrowed, remixed or recreated by RnB & Soul musicians and producers worldwide. One example of this extensive influence is “Lovers Rock”, a triple platinum album by Nigerian
born British singer Sade. According to Sade, this highly successful album, released in the year 2000, was named after the genre she listened to the most as a child growing up and her decision to name her album “Lovers Rock” was due to her love for the genre.

Listen to the mix here 

DJ afifa presents: the Dub Poetry mixtape vol.1

Here is the most recent release of the Dub Poetry mixtape by dj afifa. The mixtape was created in 2017 for Ras Takura's "Dis Poem Wordz and Agro Fest" at the Neville Antonio Park in Port Antonio, Portland.

The mix was first aired during the Electromagnetic Radiation with dj afifa on Zanj Radio.The artwork for this mixtape are from pictures taken by Sokari Ekine at the Studio Be art gallery in New Orleans.

"I will be doing more mixtapes like this. Dub poetry is an art form that has influenced my life significantly.I am actively looking for new dub poets all over the world, i enjoying compiling interesting work and interesting ideas in the "dub style"- dj afifa

Physical copies of the mixtape can be purchased at the Sounds of Life store at the So((u))l hq, or Di Institute for Social Leadership.

Nu Jazz meets Jamaican djing and dub poetry

This track is a dj afifa remix of the I-I chant written and performed as a dub poem by Jamaican dub poet Iyunda. This version revisits the Jamaican djing and dub poetry chanting styles. In Jamaican music tradition, the dj chants lyrics over a riddim while the dub poet chants poetry to a reggae or dub riddim. Count Matchuki, King Stitt and U-Roy are highlighted as the early pioneers of the dj style in Jamaican music. Dj afifa’s production of the I-I chant is inspired by U-Roy’s Natty Rebel album released in 1976 under Virgin Records.
The I-I Chant fuses the djing and dub poetry chanting styles in Jamaican music with a jazz hip-hop riddim or Nu jazz track produced by Japanese dj, composer and arranger Uyama Hirato. The instrumental track Autumn is taken from the Freedom of the son album released 2014.
bless and love.